Poetry – River And Sound Review http://riverandsoundreview.org/ Sat, 08 Jan 2022 19:12:27 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://riverandsoundreview.org/wp-content/uploads/2021/05/river-and-sound-review-icon-150x150.png Poetry – River And Sound Review http://riverandsoundreview.org/ 32 32 Why it’s different from any other show https://riverandsoundreview.org/why-its-different-from-any-other-show/ Sat, 08 Jan 2022 17:30:00 +0000 https://riverandsoundreview.org/why-its-different-from-any-other-show/

“Hey, New York.” The simple but calming first words spoken at the start of every episode of the HBO docuseries How to deal with John Wilson might not initially sound poetic. This is, after all, a fairly common greeting. It’s a simple hello to the city where the show is taking place. However, the words spoken by the host of the show, John wilson itself, serving as the start of what is a sweet yet glorious guide through the world unlike anything else you’ll see on TV.

Produced by Nathan Fielder of Nathan for you, who graduated from one of Canada’s top business schools with outstanding grades, the show premiered in October 2020 and recently completed its second season. The show has already garnered critical acclaim for its blend of heartfelt and humorous thoughts that surprise you with their depth. It’s a quality that comes not only from the way Wilson thinks about the world, but also how he’s able to bring us into his vision in a very unique way.

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RELATED: All “How To With John Wilson” Season 1 Episodes Ranked

For those unfamiliar with, Wilson’s vision begins in a generally unsuccessful way that only grows and expands as each episode continues. It’s a demonstration of the power of how, when you curate seemingly disconnected yet distinctive shots, you create something that comes to life in the form of a whole new experience. Designed to be a how-to guide, on everything from parking to investing in real estate, these tasks only serve as the entry point for every expansive adventure Wilson takes us on. The real estate episode has moments of genuine humor like when Wilson tries to get a loan using popular Twitter reviews of his various celebrity show to win over a bewildered loan officer at a bank.


It turns bittersweet when, by some miracle, he manages to get the loan approved and ends up buying the house from his former owner with whom he had formed a loving relationship. It’s all part of how Wilson’s framing of the story creates moments of deep and unexpected emotion at every turn. This is framed in the emotional sense of tone and the technical sense of what Wilson is showing us. It is this subtle craft that can go largely unnoticed but deserves to be recognized for its mastery of creating meaning from the most mundane things of everyday life.


John-Wilson-Robot-Supermarket
Image via HBO

What Wilson has managed to create is a hybrid of something that feels like a video essay and a documentary, if even that seems reductive. It is a work of art that resembles a dream landscape, a flow of consciousness that remains precisely edited and rhythmic to create maximum impact. You can see Wilson perfecting this approach to storytelling in short films he has created and published on his Vimeo. He offers insight into the style he would both master and develop in How to deal with John Wilson.


It’s this style that creates an experience that plays out like an extended cinematic riff that explores the possibility of the Kuleshov effect, a theory that more meaning can be created from two shots than a single taken in isolation. Wilson takes this to the limit with his own precise sensibility, drawing poetic meanings from two otherwise totally disconnected planes that become a whole. Every moment he does so excites and electrifies audiences as we witness an act of creation before our very eyes. He creates something new with each cut, bringing together disparate images that are reborn into something new.

Everything comes together brilliantly to create a visual poetry of its own. In the Season 2 premiere, a photo of someone with a computer screen on the ground with a leash cord and a panel in a basement window that says “caveman” are spliced ​​together to creating an absurd connection that always feels quite appropriate. They’re connected through Wilson’s storytelling, coming together to talk about the humor of aging and the milestones we’ve reached. Later in that same episode, when Wilson is taken to a new milestone in buying a house, he uses the expressions of similar buildings to describe his own inner emotional state. It’s further interesting that Wilson’s face is rarely seen on the show, letting him tap into the world around him to express his emotions. This forces him to research what are probably thousands of shots and visuals, some only appearing for a few seconds before moving on to the next.



John-Wilson-Plage
Image via HBO

In my favorite episode, which is also the last episode of this season, Wilson explains how to be spontaneous. He demonstrates the struggling feelings he has personally in doing this, showing a close-up of a statue of mascot Ronald McDonald with his permanently frozen smile to indicate how making plans can initially seem “easy enough”. Wilson then cuts to a wide one, showing how the mascot is actually in a fenced area as he explains how you can start to feel trapped once you’ve made a shot.

We are then taken to a random person staring in front of Wilson as Wilson bemoans the mundane details of making the plans. This is followed by another seemingly dreaming person, a sign of Wilson’s desire to escape the plans. This is then followed by a quick shot of a concrete mixer dumping its contents, a visual representation of the suggestion to pretend to be sick to get out of a shot.



John-Wilson-Ronald-Mcdonald
Image via HBO

None of these plans is particularly interesting in isolation. They are even downright boring, seemingly insignificant. Yet when Wilson brings them together, they become more isolated than they have ever been. They become a personal reflection of our guide’s anxieties, an outward physical manifestation of his inner fears. It is an experiential cinema, a way of weaving poetic reflections on life in the very moments that might otherwise go unnoticed. By capturing them and bringing them together, Wilson shapes them into something immortal that becomes vital to our own experiences.

At the time of this writing, it is not clear whether How to deal with John Wilson will get another season. He deserves one and would only find beauty in the unexpected corners of life. While there may not be one, what is certain is that Wilson’s vision is unlike anything else. The more you watch what he achieves by soaking up the world around him and drawing connections from it, the more it all becomes a poetic meditation on what connects us. It’s a technical marvel, playing with our psyche and opening up neural pathways of experience that no other show has done quite like it. This ensures that the phrase “Hey, New York” will always be remembered as a sign that you are in the hands of a master craftsman with unlimited cinematic potential.



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Martín Espada: stacks of books, from poetry to photography https://riverandsoundreview.org/martin-espada-stacks-of-books-from-poetry-to-photography/ Thu, 06 Jan 2022 23:07:52 +0000 https://riverandsoundreview.org/martin-espada-stacks-of-books-from-poetry-to-photography/

ESPADA: I am in the middle of “Deaf Republic”, poems by Ilya Kaminsky, who was born in the former Soviet Union and now lives in Atlanta. There has been a battle this week between this book and my scoring. The book continues to win. I should have finished writing by now.

BOOKS: What other books of poetry have you read?

ESPADA: I have over 3000 pounds. They are everywhere, like zucchini. One of the things poets do is trade books, so I have hundreds and hundreds of books that I have traded over the years.

BOOKS: How do you keep all these books?

ESPADA: I’m a stacker for sure. I have a table for books in my living room. Sometimes my wife starts to look askance at my stack because she can’t even see me behind. If it goes up too much, it starts to bother me too. I start to think about the other people who pile my book up and don’t read it.

BOOKS: What’s at the top of the stack?

ESPADA: Some of the books are there because I taught them. For years I have been teaching a course called Poetry of the Political Imaginary. For this course this fall, we’re reading “Kontemporary Amerikan Poetry,” by John Murillo, who grew up in Los Angeles during the riots. He’s brilliant. This fall, I added poems from “Fugues” and “Halting Steps”, by Claribel Alegria, a Salvadoran and Nicaraguan poet. I knew her. She was very brave. His books were burnt. She has been exiled more than once. One of my favorite workshops to teach is on broken sonnets, the ones that deviate from the traditional form. To do this, you must first teach the traditional sonnets. I give the students “A Wreath for Emmett Till” by Marilyn Nelson, which is a series of powerful and beautiful sonnets about Till, who was lynched in the 1950s.

BOOKS: Which poets do you read the most?

ESPADA: A poet who is like a second father to me, Jack Agueros, Puerto Rican poet, essayist, translator, playwright and community organizer from New York. I teach his collection “Correspondance Between the Stonehaulers”, but even if I didn’t teach it, I would keep coming back to it. Another is Paul Mariani. My poem “Be There When They Swarm Me” is a response to his poem “Hornet’s Nest”.

BOOKS: What else do you read?

ESPADA: I am a big fan of the Red Sox. I bought “Pedro”, a memoir by Pedro Martinez, the greatest pitcher I have seen with my own eyes. You don’t expect much from a baseball brief, but it’s so funny, candid, and to the point. He was a particularly good companion this year when the Red Sox suffered from various pitching illnesses. I could read this book and scream on my television.

BOOKS: Who influenced you as a reader?

ESPADA: My father, absolutely. He only had a high school diploma, but he was a voracious reader. He accumulated books on history and politics and, of course, photography, since he was a great photographer. There were books everywhere, and if I saw him reading a book, it would make me want to read that book.

BOOKS: Do you have any of his books?

ESPADA: I have a lot of photography books. I have his copy of “Let Us Now Praise Famous Men” by Walker Evans and James Agee. I have works from lesser known photographers who were his friends. One photographer who really influenced my dad was Dave Heath. I have his “Dialogue with Solitude”, which is considered one of the great books in photography. For me, Sebastiao Salgado is one of the greatest living contemporary documentary photographers. I have his book “Exodus”. I wanted it in Spanish so I got it from Spain. I keep it on a low table. It only remains for me to start turning the pages, and I am transported. It is also the stuff of poetry.

BOOKS: What will you read next?

ESPADA: I want to finish “Deaf Republic” but I have to finish the correction first.

Follow us on Facebook or Twitter @GlobeBiblio. Amy Sutherland is the most recent author of “Rescuing Penny Jane” and can be contacted at amysutherland@mac.com.

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Music and words flow through poet Monique Franklin https://riverandsoundreview.org/music-and-words-flow-through-poet-monique-franklin/ Tue, 04 Jan 2022 22:30:00 +0000 https://riverandsoundreview.org/music-and-words-flow-through-poet-monique-franklin/

by Lisa Edge


Monique Franklin is a multidisciplinary artist who describes herself as a performance introvert. Her exposure to the arts began as a child under the guidance of her mother, who conducted family plays in the living room of their Rainier Valley home. Music spoke to Franklin first, followed by dancing. She has fond memories of dancing on a mini trampoline while listening to Earth, Wind & Fire, Michael Jackson and Lionel Richie. Next was the written word.

“It wasn’t until I hit my teens and life got as complex as being a teenager. And I started to write, ”Franklin explained. “I started journaling, and that was my entry into poetry, writing poetry in journal entry form. And I did that for many, many years and never shared my poetry with anyone.

She kept these pages of poems and drawings to herself until she met the late Negesti Abebech, a local artist who offered positive feedback. It would take even longer before Franklin shared his poetry with an audience at Shoreline Community College. She has had countless performances since then, perfecting her craft along the way. If you see her performing, there will probably be a live band on stage with her. It’s a preference in part because the music is an inspiration in and out of the limelight.

“Live music immediately puts me in the room with my creativity. I love the opportunity to write in a space that other people keep open for it, ”she explained. “When musicians are playing, especially when they are playing, they’re creating at that point, and that portal is just open. “

Franklin’s connection to the two – live music and poetry – was recently brought to life at the Langston Hughes Performing Arts Institute in his show Mama’z Muezz. The moving one-woman show centered around motherhood, and the original score matched the tone and intensity of Franklin’s poetry.

“A lot of times motherhood becomes that all-consuming experience,” Franklin said. “People stop seeing you as an individual person. You stop seeing yourself as an individual person who had other ideas, dreams, and existences before you became a mother. Or to have them at the same time as you are a mother or to have them after having lived a certain motherhood. “

Franklin explores her own life as a black woman and a mother. Throughout the play, phrases such as “motherhood is a mirror” resonated with the audience.

She did not shy away from the pain and trauma black people suffered from slavery upon the death of George Floyd. Instead, Franklin artistically presented these complex subjects to the audience and incorporated historical perspectives by delivering fictional monologues based on Ida B. Wells, Mamie Till, and Alice Walker.

“What I hope the play brings about is self-reflection, healing and self-realization. One of the things that I believe motherhood can offer is a sharpening of the senses, ”Franklin said. “Especially on top of Blackness… there’s the old adage of ‘you have to be ten times better than others’ to make the same level of progress. And I think motherhood adds another layer of sharpness to that.

Mama’z Muezz reinforces the titles attributed to Franklin, also known as the Verbal Oasis. Titles include “The Unofficial South Seattle Poet Laureate”, “The Billie Holiday of Oral Creation” and “High Priestess of Prose, Poetry, and the Art of Storytelling”.

When not on stage, Franklin is busy running Inspired Child, an arts organization. She is an artist-teacher and curator of family events, and her art program in the park for children ran non-stop for ten years before COVID-19.

In the future, she is considering Mama’z Muezz become a cohesive project traveling from city to city to share with other mothers and communities in general. His next project includes an Inspired Child musical.

Franklin is far from those family rooms in the living room of his childhood home. She went from learning how to make puppets and singing Silent Night to capturing the attention of a large audience. Creativity is an integral part of his life; luckily, she shares it with all of us.

“I want to create spaces where our whole community can come forward. And our whole community can be in community and grow together, grow together and share with one another, ”Franklin said. “I created shows or was part of shows that really sought to achieve this goal. “


Lisa Bord is an award-winning journalist who recently covered the arts for Real change. In 2013, she moved to Seattle after working as a reporter and presenter for several southern TV stations. Lisa especially enjoys telling stories about people and how they impact their voices.

?? Featured Image: Monique Franklin (courtesy Monique Franklin)

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‘Poetry Sans Frontiers’ series embraces common humanity through poems https://riverandsoundreview.org/poetry-sans-frontiers-series-embraces-common-humanity-through-poems/ Sun, 02 Jan 2022 18:01:00 +0000 https://riverandsoundreview.org/poetry-sans-frontiers-series-embraces-common-humanity-through-poems/

“Close friends make distance disappear,” wrote Chinese poet Zhang Jiuling in the Tang Dynasty (618-907). The series, launched in the six official languages ​​of the United Nations, namely Chinese, English, Spanish, French, Arabic and Russian, aims to convey the calming power of poetry, to promote the mutual learning of Chinese and foreign cultures, to create emotional resonance and bring people from different countries, ethnic groups and cultures together.

Each episode revolves around a thought-provoking theme: the pursuit of dreams, people’s aspirations for peace, the value of life, the relationship between man and nature, and what home means to people. .

Some 16 guests from different backgrounds, including diplomatic envoys in China, hosts of multilingual CGTN channels, influencers and musicians, were invited to share their life stories and some of the beautiful poems from around the world.

Recognizing the diversity of human civilizations, the series of reports also highlights the deep meaning of what the ancient Chinese historian Chen Shou wrote in the 3rd century: “A delicious soup is made by combining different ingredients.

https://news.cgtn.com/news/2022-01-02/-Poetry-Sans-Frontiers-series-embraces-common-humanity-through-poems-16unLk0CWmQ/index.html

SOURCE CGTN

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Where is Guyanese poetry? – Stabroek news https://riverandsoundreview.org/where-is-guyanese-poetry-stabroek-news/ Sat, 01 Jan 2022 06:06:22 +0000 https://riverandsoundreview.org/where-is-guyanese-poetry-stabroek-news/

no two + ONU

To breathe

Stretch

Contract

The tingling of tips

as members

Imitate wrestling

Inside

Hands meet

as hearts tremble, ever changing

Our twinning

Spirits reach

like body

Open beyond limits

We move

Swept away we tremble as the energies mingle with our lives

expanded

Inside

– Ayanna Waddell

mask

face set

stillness is found below stillness. I reflect the still surface

stoic. fixed.

AGAIN…

darts pierce

frozen eyes

reflect

unchanged lines

hide the broken pain

joy, laughter, silent chorus

forever hidden

lies

truth

YOU, held back.

countenance: calm is below. Out

impassive … I remain stoic, unchanging.

– Ayanna Waddell

In exchange for your energy

It’s a curse

The thing that takes so much

You give and give

And also receive:

Stress

Frustration

Tears

Feeding chickens:

unloved

unworthy

incompetent

Examination:

Your desires

Your reason

Your value

Combat:

For life

Forces seen

Invisible

Desire:

Restoration

Time

Life

Journey:

You do

You have finished

Tumors

You accept bouquets with a smile,

You did it

you survived

Well done, servant.

– Keon Heywood

Rhythm of the dead

lessor

lessor

lessor

Bailo al ritmo de los muertos

Bailo al ritmo de los muertos

Bailo al ritmo de los muertos

I dance … (ritmo)

I dance to the rhythm of the dead

My bones, they shake

My skeleton, it is shaking

By clicking on the ritmo my soul takes

Click heels, tip toes

Arms rise in the night

Raise, beat, flip then hips

Shoulders rolled up

Swaying swaying swaying

Roll forward on the ground

Split sideways, rotate, then jive

A jerky rhythm

Beating my feet

Feel the rhythm, follow the vision

Dance… dance… bailar bailar

Dance to the rhythm …

Bailo al ritmo de los muertos

I dance to the rhythm of the dead …

– Sonia Yarde

KNews reaction

Plop! Plop!

The morning news is falling

Dragging feet,

Door opening, back bending

Door closing

Shrups …

Damn stupid politicians!

Rip off the nation

Squeaky chair

Uh …

Deep breathing

The pages turn,

What the hell?!

She poisons herself and the children

Poor angels

Lord, help us …

Ah …

Deep breathing

Another robbery

This time the owners shoot him

But he was a “good boy”

Ah …

Woman kills her spouse ?!

Well, it was about time!

One of them finally fought back

Eww a horrible attack

she brutal

Hey this is too much

You have to stick to sport …

– Carlene Gill-Kerr

What is Guyanese poetry in 2022? The nation’s poetry is, of course, long established with outstanding achievements and a recognized place in world literature. This international recognition was celebrated no later than December 2021, when London-resident poet and novelist of Guyanese origin, Grace Nichols, received the Queen’s Gold Medal for Excellence in Poetry. Significantly, that same honor was bestowed on her husband, Guyanese-born poet John Agard in 2012.

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Telangana MLC Goreti Venkanna receives Sahitya Akademi award; CM praises the poet https://riverandsoundreview.org/telangana-mlc-goreti-venkanna-receives-sahitya-akademi-award-cm-praises-the-poet/ Thu, 30 Dec 2021 13:26:46 +0000 https://riverandsoundreview.org/telangana-mlc-goreti-venkanna-receives-sahitya-akademi-award-cm-praises-the-poet/

The famous poet and member of the Legislative Council of Telangana (MLC) Gorati Venkanna was chosen Thursday for the Sahitya Akademi Prize (poetry category) for 2021 and Chief Minister K Chandrashekhar Rao conveyed his greetings to the poet.

According to an official press release, KCR said that ‘Vallankitaalam’, a compilation of poems by Venkanna, winning the Central Prize is worthy of praise.

The CM said that the poetry of Gorati Venkanna, which exposed the daily problems of life with a touch of social philosophy before the eyes of all, reflected the pain of the universal man. Rao further praised Venkanna for beautifully revealing the umbilical relationship between human life and nature, the relationship between man and other animals and birds.

He added that Venkanna, through her literature, had made “the smell of the soil of Telangana” universally recognized.

The poet during the separate Telangana Statehood movement had played a key role through his songs and literature. The Venkanna Literature Prize is an award given to the living philosophy of an ordinary man from Telangana, KCR added.

(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)

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How I was touched by a poetic plea for help from a black teen | Letters https://riverandsoundreview.org/how-i-was-touched-by-a-poetic-plea-for-help-from-a-black-teen-letters/ Tue, 28 Dec 2021 18:11:00 +0000 https://riverandsoundreview.org/how-i-was-touched-by-a-poetic-plea-for-help-from-a-black-teen-letters/

As moved as I am by Aditya Chakrabortty’s article on Giovanni Rose, an award-winning young black poet (The Adolescent’s Poem Revealing the Cruel Reality of Life in Modern Britain, December 23), I do not may experience only a limited sense of optimism for their future. I fear he will continue to feel the effects of institutional racism throughout his life. If not, why have the injustices suffered by members of the Windrush generation still not been properly addressed?

Over 50 years ago, another young black teenager wrote a poem. She was fiery and rebellious. Small wonder. As a student in a school for “academically subnormal” students, she felt the full weight of a racist judgment that had already ruined her life. I was her teacher whom she accused of treating her harshly “just because I’m black”.

To mend her outburst, she wrote me a poem in her notebook. I will forever regret that I failed to keep this incredible, moving, well-written call for help. I quit shortly after in search of a “better career”, leaving her in a totally unsuitable environment. How I wish she could have had the inclusive support of a school like Giovanni’s. But supportive schools are not enough.

I would like to meet her now to talk about how our lives have gone. We are not that far apart in age. However, I fear her life has not gone as smoothly as mine. I couldn’t have written a poem like that. But I was white and privileged. She was a member of the Windrush generation and already damned.
Joan lewis
Saint-Etienne-de-Gourgas, France

Thank you, Aditya Chakrabortty, for your candid article on Giovanni Rose, who won the Foyle Young Poets of the Year Award. I am a retired school principal who has spent my entire career in downtown northeast schools. I have seen with my own eyes the reality of life for a large part of the population. Everything is against young people growing up in poverty, and Covid has widened the gap between the haves and have-nots to a shocking degree. I am still in touch with many families I have worked with and continue to marvel at their resilience, wisdom, humor and love in the worst of circumstances. We are not “Great Britain”.
Judy Cowgill
Blaydon, Tyne and Wear

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Poems celebrating the candidate of the Black Adolescence Poetry Museum https://riverandsoundreview.org/poems-celebrating-the-candidate-of-the-black-adolescence-poetry-museum/ Mon, 27 Dec 2021 01:30:00 +0000 https://riverandsoundreview.org/poems-celebrating-the-candidate-of-the-black-adolescence-poetry-museum/

TAMPA, Florida – A collection of poems by students from Hillsborough and Pasco County has been quickly flying off the shelves since its release. ‘I am … A Young Black Man’ is described as a book of poetry that celebrates black adolescence.

It was the idea of ​​Gentlemen’s Quest executive director Tavis Myrick, who wanted to create a platform for young black men to speak out in the midst of the social justice movement.

The book is also a strong candidate for presentation at the National Museum of Poetry.

“Books like this help people realize that our young black men have a voice,” Myrick said of the 31-page book with illustrations by the authors.

“Sometimes when we see police violence, when we see drugs, we think it only affects adults,” he said. “It ripples through our schools and has an impact on our students’ academic performance and their mental health.”

Miles Jones is a student at Strawberry Crest High School and co-author of the book. I’m smart and athletic, I wonder what the future holds for me, “he wrote.

Myrick says the students shared some deep thoughts that could be overlooked “There are other students who said my mom always pushes me towards my dream. There are other things people said is this. that I will live after 2021. “

Jones says he wants to pursue a career in the aerospace industry.

He is involved in the Gentlemen’s Quest of Tampa, a non-profit organization founded by Myrick in 2014.

Minority students come to the Center on East Lake Avenue for free academic support, training and meals.

Jones says the STEM camp encouraged his career aspirations. “It piqued my curiosity for engineering even more,” he said.

As Jones continues to pursue his dream job, his current author title is the one he celebrates.

Thousands of people have bought and been inspired by her poem and her heartfelt words that help others find their voice.

Proceeds from the sale of the book will fund a trip to Washington DC for students during Black History Month.

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Launch of a collection of Pashtun poetry https://riverandsoundreview.org/launch-of-a-collection-of-pashtun-poetry/ Sat, 25 Dec 2021 00:59:41 +0000 https://riverandsoundreview.org/launch-of-a-collection-of-pashtun-poetry/

PESHAWAR: The director of the Center for Pakistan Studies, Professor Fakhrul Islam, released his first book of Pashtun poetry titled “Da Meeny La Hewaada” (from the world of love), which was launched at an event that was held here on Friday. The book launch ceremony was hosted under the auspices of the Pohantoon Adabi Stori (PAS), an academic literary organization at Khyber union Hall at Islamia College University. Scholars, students, teachers and fans attended the function, a press release said.

Prof. Abaseen Yousafzai chaired the event.

Speaking on the occasion, Abaseen Yousafzai and others called the book a must read as it cherished the poetic landscape of natural beauty around the poet. “The poet has created beautiful images in his book which spans over 171 pages,” said Prof. Abaseen Yousafzai, adding that he also showed his love for his land and people.

Author of nine books and around 75 research articles, Professor Fakhrul Islam has released his first collection of poetry with the goal of inspiring young students to use their own creative force for a social cause. “Pashtun literature has flourished in the region despite an endless war,” Prof. Fakhrul Islam said during a speech at the event. He said young students should revive and promote reading habits to face the challenges of modern times in a rapidly changing geopolitical situation.

“Deep reading helps broaden the vision and scope of understanding,” he added.

Afsar Afghan, a young poet, said that such poetry really motivates and enlightens young readers.

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Aata hai Yaad Mujhko – is a book about a life well lived and an unwavering love for Urdu https://riverandsoundreview.org/aata-hai-yaad-mujhko-is-a-book-about-a-life-well-lived-and-an-unwavering-love-for-urdu/ Thu, 23 Dec 2021 07:56:00 +0000 https://riverandsoundreview.org/aata-hai-yaad-mujhko-is-a-book-about-a-life-well-lived-and-an-unwavering-love-for-urdu/

Hyderabad: On December 21, Ram Pall Joshi, one of our top IPS agents and former Director General of the Punjab Police, was in Lamkaan, a popular cultural space in Hyderabad, reading his book.

Bazmi Sukhan and CDPP launched this autobiography written by one of our most respected officials. RP Joshi started his career in the Indian Army and retired as the Director General of Police in the Punjab. Illustrious officer, he nurtured and nurtured all his life his love for poetry and his respect for poets. This walk in the past entitled AATA HAI YAAD MUJHKO GUZRA HUA ZAMANA (Come to my memory the times which have passed) is an ode to Urdu poetry as to a life well lived.

The book deals with his experiences mixed with his love of Urdu poetry. The title of the book itself is taken from Allama Iqbal’s poem Parinde ki faryaad (The Plea of ​​a Bird). Written in a style that is both lucid and beautifully aesthetic, Joshi combines the simplicity of English prose with the complexity of Urdu poetry. It is common knowledge that Urdu poetry in itself is quite difficult and takes years of study to fully grasp the meaning and significance of the poet and his writing. However, the author does it wonderfully well by first telling an interesting anecdote from his life and then presenting a couplet in Urdu that manages to capture the sentiment of the tale perfectly. An example can help illustrate the point.

Joshi begins by describing his encounters with Sikh politician Jiwan Singh Umranangal, whom Joshi considers to be one of the perfect human beings he has ever met. Joshi first made contact with Umranangal while Joshi was assigned to Amritsar as an additional superintendent during a phone call. Umranangal had called Joshi to discuss police matters. Joshi himself, however, was struck by the appellant’s simplicity and frankness. From years gone by, Joshi got to know Umranangal well and was remarkably impressed with her sublimity, her simplicity of attitude and demeanor, her clean and pure lifestyle and liberal heart, her incredible capacity for hard work and lastly, her sympathy. generous and its perception of identification. the problems faced by urban and rustic workers, who themselves could not speak coherently about their problems.

Anyway, despite Umranangal’s amazing ability as a human being, the thing that struck Joshi the most was the incident in which Umranangal wept bitterly in the shrine of Gurudwara Fatehgarh Sahib, poignantly calling on God and sobbing pitifully and begging God to forgive him for the murder of a young Muslim boy, which he committed in his frenzied youth during a quarrel as a teenager. His bitter tears had saddened all the devotees present in the Gurudwara, so much so that they too had wet eyes. Joshi thinks that was when Umranangal reached the form of the perfect human being; It was at this time that the Umranangal was born again, and all his sins were washed away, and he was forgiven by the all-merciful God.

Joshi ends the story by placing the verse of Allama Iqbal judiciously
Motī samajhke shān-e-karīmī ne chunliye
Qatre jo the quagmire araq-e-infi.ālke
(The merciful Lord in His glory has collected all my tears; considering them to be so many pearls.)

The book offers many more examples of Urdu poetry manifested in one of Joshi’s personal anecdotes. The mixture of prose and poetry produces a beautiful harmony, in which prose is embellished by poetry, and poetry is simplified by prose. However, the book is not all gloomy. Some of his anecdotes are also exceptionally funny. For example, Joshi tells a story he heard from his teacher when Joshi was still an undergraduate student in Persian. A student had asked his teacher: “How do you understand Persian poetry? The professor half-joked that since most of Persian poetry is about love, to understand you have to fall in love. The student left, and some time later came to give the professor an invitation card to his wedding.

Joshi’s book is exemplary and a large collection of personal and professional anecdotes. Just like your Persian teacher, to appreciate this book, you have to love Urdu the same way Joshi loves it. The book was started by Professor Syed Ainul Hasan, Vice Chancellor of MANUU, Professor Ashraf Rafi, who retired as Head of the Urdu Department at Osmania University, Humera Ahmed, co- founder of Lamkaan and Professor Majid Bedaar who is an illustrious scholar and was in the panel of speakers.

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